Fri, 11 September 2009
Joe Keawe is acknowledged as one of the legends of Hawaiian falsetto singing. Yet, inexplicably, only about three of his dozens of singles recorded for the 49th State Records label in the 1940’s and 50’s have been remastered and reissued on CD. I thought I would honor Uncle Joe by celebrating his September 10th birthday with you! Check out this edition of Ho'olohe Hou to learn more about the life and music of one of my falsetto heroes! (Listen carefully and you will also hear the mandolin playing of Joe’s mentor, Uncle Johnny Almeida.) Recommended Listening: A scant two or three of Joe Keawe’s 49th State singles have been reissued on CD through the remastering magic of Michael Cord and Hana Ola Records. However, Uncle Joe returned to the studio in 1977 – a mere 32 years after
his first recording – to record his first and only full-length LP, and that
beautiful recording has been reissued on CD.
Check out “
All above selections out of print. If you would like to hear more of Joe Keawe's long out-of-print recordings, send me an e-mail at bill@hoolohehou.org. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Wed, 9 September 2009
Part One of this tribute focused on the 1940s recordings of Alvin Kaleolani Isaacs and the Royal Hawaiian Serenaders on Bell Records. Part Two provides a brief glimpse of the amazing love and respect the legends of Hawaiian music had and continue to have for Isaacs’ and his compositions - some humorous, some poignant, but all uniquely Hawaiian. The program focuses on Isaacs’ numerous compositions performed by some of Hawai`i’s most well-loved artists - including some long forgotten names and voices. I expect that these selections will bring back great memories for some of you and for others the realization that some of your favorite Hawaiian standards are, in fact, Alvin K. Isaacs compositions. During this set, you will hear a selection from an extremely rare LP entitled “A Lei Of Songs From Sam” by Sam Kahalewai (which offers a pleasant surprise - Gabby Pahinui on steel guitar). The set also includes long out of print recordings by Prince Kawohi, Fely Gabriel, Haunani Kahalewai, Ray Kinney, and one of Alvin’s talented sons, Norman. (You will also hear another son, the exceedingly talented steel guitarist Barney Isaacs, backing the vocalists on several of these cuts as well.) I look forward to hearing your thoughts on the work of “Papa“ Isaacs. Send your comments, suggestions, and requests to bill@hoolohehou.org. Direct download: Hoolohe_Hou_-_09-08-09_-_Alvin_Isaacs_Composer.MP3 Category:Composers -- posted at: 12:28 PM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Wed, 9 September 2009
Today at Ho`olohe Hou we celebrate the birthday of one of the most important figures in the history of Hawaiian music: Alvin Kaleolani Isaacs. “Papa” Isaacs’ contributions to Hawaiian music are incalculable - including the formation of one of the seminal Hawaiian music ensembles (the Royal Hawaiian Serenaders featuring the falsetto voices of Benny Kalama and George Kainapau and the unique steel guitar stylings of Tommy Castro), composing more than 300 songs in both English and Hawaiian (think “Nalani,” “Analani E,” and the comic “No Huhu”), and bringing into the world three more musical Isaacs (steel guitar great Barney Isaacs, slack key legend Atta Isaacs, and singer, bassist, and funnyman Norman Isaacs). Alvin Kaleolani Isaacs taught himself to play most string and wind instruments by the age of ten. He formed an orchestra by the age of 13 - doubling on piano and mandolin - and composed the first of his more than 300 songs a year later. (The first - “Kau`ionalani” - has been recorded countless times - most recently by Amy Hanaiali`i Gilliom.) During this period, this husky lad also excelled in sports. As a freshman at McKinley High he became the first freshman in Hawai`i’s history to make the All-Star Scholastics football squad, and he did equally well in track, baseball, and swimming. Alvin married his high school sweetheart, Julita Chung, in 1924. To support the large family they planned (they eventually raised ten children), Alvin joined the Honolulu Police Department as a motorcycle patrolman. But after a debilitating motorcycle accident on the HPD job which left him hospitalized for a year, he turned his full attention to music for income - and the Hawaiian music world hasn’t been the same since. After the tragic accident, Alvin organized a group, the K.M.M. Syncopators, in 1929. He formed several other groups after, including the original Royal Hawaiians (which often featured the great Ray Kinney) and The Islanders which enjoyed a long run at the Royal Hawaiian Hotel. In 1935, he joined a band led by Harry Owens’ (who took over at the Royal), and Alvin was this group’s featured singer and comic hula dancer until 1940. Alvin reorganized The Islanders in 1940 and they played at the Young Hotel Roof Garden until the attack on Pearl Harbor. At the same time as his run at the Young Hotel, Alvin led another band - Alvin Kaleolani and The Royal Polynesians - who were the house band for the nationwide NBC program “The Voice Of Hawai`i.” After the attack of December 7th, Alvin joined the U.S. Engineers and served as lieutenant of the guard at Punahou and took his troup of entertainers on the U.S.O. circuit. In 1947, he assembled the aforementioned Royal Hawaiian Serenaders - an aggregation featuring Honolulu’s finest musicians of that era. Benny Kalama had a beautiful voice, a way with an `ukulele, and a knack for arranging. George Kainapau was Hawai`i’s premier falsetto singer. And Tommy Castro was a well-regarded and oft-copied steel guitarist. Along with Isaacs’ compositions, the Royal Hawaiian Serenaders were an unbeatable combination who made musical history at the Royal Hawaiian Hotel from 1947 until 1951. They made numerous recordings for the then fledgling Bell Records label (under their own name and as accompanists for other singers) and they embarked on four mainland tours which broke attendance records at the leading west coast hotels. It was this mainland exposure which helped introduce Alvin to Bing Crosby (who featured Alvin on his radio programs) and which led to work on Hollywood soundstages with Harry Owens. A guiding principle that helped shape Alvin’s philosophy on life was his faith. He was a lifelong member of the Mormon Church, and it was not uncommon for the Isaacs clan to spend evenings in family prayer. Alvin was very active in his church, and it was while producing a talent show at his church that he conceived of the comedy classic “No Huhu.” They were rehearsing a one-act skit featuring a Chinese-dialect comedian, and Alvin dreamed up the idea for the song and had it finished it only two hours. “No Huhu” remains a staple of the Hawaiian comedy repertoire. You may hear steel guiatarist Alan Akaka perform this with aplomb on Thursday evenings when performing with Genoa Keawe and Her Hawaiians, or you may catch Ocean Kaowili regaling audiences at Honey’s at Ko`olau with this number on Sunday afternoons. (In an earlier time, two steel guitarists were known for their way with this song - Jules Ah See and Alvin’s son, Barney Isaacs.) Part One of this tribute focuses on the 1940s recordings of the Royal Hawaiian Serenaders on Bell Records. Listen and discover the timeless sound Alvin and friends created that is still recognized as epitomical “Hawaiian music.” The world lost Alvin Kaleolani Isaacs in 1984, but his memory lives on through his many compositions. Part Two of this program will take a look at some legends of Hawaiian music and their take on Isaacs’ classic compositions. I hope you enjoy this salue to “Papa Isaacs.“ Send your thoughts, comments, suggestions, and requests to bill@hoolohehou.org. This program is dedicated to Jeff Au Hoy - one of “Papa” Isaacs' biggest fans. Direct download: Hoolohe_Hou_-_09-08-09_-_Alvin_Isaacs_Musician.MP3 Category:Artists/Personalities -- posted at: 12:07 PM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Fri, 28 August 2009
Solomon "Sonny" Kamahele Jr. was born on August 28, 1921. Sonny had one of the most illustrious careers in Hawaiian music - in Honolulu as a member of the Hawaiian Village Serenaders backing Alfred Apaka and Hilo Hattie and as a regular member of the Hawaii Calls radio broadcasts and recording sessions, as well as in Hollywood with Sam Koki at the Seven Seas, on MGM Records with Pua Almeida, and with Harry Owens' Orchestra both on television and in a number of movies. Sonny sang in both his beautiful baritone voice - often reaching the lowest bass notes humanly possible, just for kicks! - as well as an ethereal falsetto. He was also the master of every instrument in the Hawaiian band - specializing in guitar, 'ukulele, and steel guitar - but was most in demand for his rhythm guitar work. Sonny's career was chronicled by the Honolulu Star-Bulletin on the occasion of his retirement from the Halekulani Hotel's House Without A Key in 2003 - shortly before his passing. For a brief overview of his life and work and a sample of Sonny's various talents, listen to this edition of Ho'olohe Hou.
All above selections out of print. Recommended Listening: Although regrettably all of Sonny's solo recordings from the 1950's through the 1990's are no longer available, you can still catch glimmers of his genius on a number of available recordings by groups whose presence Sonny graced. This includes most recordings by Hawaii Calls and two supergroups - The New Hawaiian Band and The Maile Serenaders, groups that were studio experiments but which never performed live. One of my favorites is "Let's Hula" by The Maile Serenaders which features Sonny Kamahele, Nina Keali'iwahamana, Sonny Nicholas, and the steel guitar of Joe Custino. This recording is available as a beautifully remastered CD from Hula Records. If you would like to hear more of Sonny Kamahele's beautiful recordings that are no longer available, send me an e-mail at bill@hoolohehou.org. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mon, 24 August 2009
On August 4, 2009, Charlotte Iwalani Wilson Kahalewai was born January 25, 1934 in Waihe’e, After Apaka’s untimely death in 1960, Iwalani sang at Don The Beachcombers and recorded with sister-in-law Haunani Kahalewai on her Decca and Capitol Records releases heard around the world. Through the 1960’s and 70’s she performed with Alice Fredlund’s Halekulani Girls and the Charles Pokipala Trio at the Halekulani Hotel, the Danny Kaleikini Show at the Kahala Hilton Hotel, the Moana Hotel and Queen’s Surf luaus, and with Tavana’s Polynesian Show at the Ala Moana Hotel, as well as continued frequent guest appearances on the Hawaii Calls radio show. Most recently, Auntie Iwa performed in the 1990’s Hawaii Calls revival radio program, The Sounds of Aloha, and she performed right up until her passing with the Royal Hawaiian Band as well as in numerous live Hawaii Calls tribute shows with show veterans Nina Keali’iwahamana, Boyce Rodrigues, and Gary Aiko. Her last recent recording was a duet with Jeff Teves on his recent release Lovely Sapphire Of The Tropics. Ironically, despite being featured as a soloist on numerous LP and CD releases by other artists, Iwalani only made one solo album: the 1960’s classic An Hawaiian Happening, which brought Hawaiian music into a new era courtesy of the progressive sounds of arranger-conductor Benny Saks. This beautiful LP has recently been digitally remastered and reissued and is essential listening for anyone interested in hearing Auntie Iwa’s unique way with a song and a snapshot of the blend of rock, jazz, Latin, and other influences that pervaded Hawaiian music in the 1960’s. To honor Auntie Iwa’s passing, I have put together a set of some of Iwalani’s finest outings – most no longer commercially available. The set opens with Iwalani’s first ever commercial recording – “Blue Mu’umu’u” – with the Hawaii Calls Orchestra and Chorus and continues with an excerpt of a very rare radio broadcast from the Tapa Room with the Hawaiian Village Serenaders – including a duet with Alfred Apaka. There are two selections from Iwalani’s An Hawaiian Happening album. (Listen for one of the hallmarks of Benny Saks’ 1960’s arrangements – a full drum kit!) Then Iwalani leads the Halekulani Girls on the sad and poignant “Mi Nei” from their out-of-print 1977 LP Dreams of Old Hawaii. And the set closes with two out-of-print recordings Iwalani made with Hawaii Calls veterans Gary Aiko, Nina Keali’iwahamana, and Mahi Beamer in the 1990s. For more information about Iwalani Kahalewai, see the Honolulu Star-Bulletin obituary. I hope this musical tribute brings back fond memories for those of you who knew and loved Auntie Iwa. My thoughts and prayers go out to her family, friends, and fans. Aloha... Bill Wynne | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sat, 22 August 2009
It’s been about a week since my girlfriend and I went to the movies to see Julie & Julia. In the movie Nora Ephron cleverly weaves together two stories: how now famous chef Julia Child struggled to find her place in the world of French cooking and how an aspiring writer struggled to find her place in the literary world. Despite that this might be characterized as a “chick flick,” I had no difficulty relating to either Julie’s or Julia’s story. In fact, they are in many ways the same story. And it is my story. Julie trudged away at a job that was not her passion, and yet she injected into it all of the passion one could muster because the job – helping the injured and the relatives of those who perished in the World Trade Center wade through the bureaucracy surrounding insurance claims - required it. Her true passion is for writing, but she can’t get a manuscript read to save her soul. Julia had a successful husband but no passions of her own – until, that is, she and her husband settled in Julie and Julia’s lives converge when Julie tries to give her life meaning by blogging about cooking her way through Julia’s classic cookbook Mastering The Art Of French Cooking. Julie was told she would never be a writer. And Julia was told she would never be a chef. And both wondered if their pursuits were truly their passion and their destiny or merely something to pass the time until they pass from this life. I just celebrated 20 years at my job last month. I really quite enjoy my work (and I think I am pretty good at it, if I do say so myself). But I have never called it my “passion.” My “passion” is the music, dance, and culture of In the beginning nobody in Meanwhile, I have wanted to contribute meaningfully to the Hawaiian music community, but I wasn’t sure how. So about two years ago I started a Hawaiian music blog and podcast called Ho’olohe Hou (Hawaiian meaning “to listen again”) through which I intended to share rare music from my vast collection. The first podcast focused on the Hawaiian steel guitar virtuoso Billy Hew Len – whose style inspired me to take up the steel guitar myself in my early 20’s. Like Julie’s blog about cooking, my podcast about Billy Hew Len caught fire and was the talk – albeit briefly – of the user groups and online forums about steel guitar and Hawaiian music. While I could not get recognition as a musician, I was now recognized for writing and talking about Hawaiian music. And so there we were. Bill & Billy. This temporary acclaim brought my blog and podcast to the attention of a radio station which broadcast the show legally and ethically. (I found out in the process of creating my early podcasts that you cannot use copyrighted works in podcasts without facing significant fines. As a musician, I am embarrassed that I didn’t realize this.) But my professional broadcasting heyday came to an abrupt end in April 2008 when the station’s owner passed away unexpectedly, the station went into a period of chaos, and finally, my show did not fit into the new station’s format. It was at about this same time that I made my most recent trip to Seeing Julie & Julia made me wonder if Hawaiian music were really my passion or if it was merely something I do to pass the time until I pass from this life. I’ve been thinking about this all week. And the answer is a resounding Wondering what to do about this, I turned to esteemed Hawaiian ethnomusicologist Dr. Amy K. Stillman who said that if I could not be making music right now, I could at least be writing about it. After having shared thoughts on music by actually playing the music or spinning the records on a radio show, I responded that blogging about the nuances of great music is like blogging about a great French meal. But for now it’s all I have. I also feel a little guilty about jump-starting my blog the same week that Dr. Stillman launched one of her own. To which I can only say that there cannot be enough sharing about this art form that is so critically important to the perpetuation of a culture. And I can also say that it was all her idea! The blog posts will be accompanied – from time to time – with sound clips as examples of the topic being discussed. Hindsight being 20/20, I will whenever possible obtain the permission of the artists and composers to share their work for educational purposes. In cases where I cannot, I will gladly remove the sound clips at the request of the artist or composer. My hope, of course, is that if the artist is still alive and depends upon their music as a livelihood, another venue such as this for promoting their work will only be viewed as a positive thing. My Facebook friends – 67% of them musicians living and working in Until next time, a hui hou… Bill Wynne Category:Mana'o: Thoughts and Opinions
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Mon, 14 January 2008
This week, two hours of Hawaiian steel guitar from the 1950s featuring more than two dozen steel guitarists. But this is only half the story. There were so many great steel guitarists to choose from in this era that we have another two hours of 1950s steel guitar in store for you next week. So be sure to tune in again. The track listing below doesn't mention the steel guitarists by name. So who should you expect to hear? How about Eddie Bush, Sonny Kamaka, Ernie Tavares, Splash Lyons, Prince Kawohi, Lovey Lui Conn, Benny Rogers, David Keli`i, Joe Custino, Danny Stewart, Jules Ah See, Bernie Ka`ai, and Freddie Tavares?! Now that is an all-star team. Enjoy! SONG TITLE ARTIST LP/SOURCE LABEL Ku`u Lei Lehua Joe Kahaulelio and the Hooheno Serenaders Mele Hula - Volume 2 Noelani Nani Waimea The Surfers Tahiti HiFi Haunani Mine The Richard Kauhi Quartette 78rpm Single* Bell That’s The Hawaiian In Me Julia Nui’s Kamaainas Souvenir Songs Of Hawaii - Volume 3 49th State Ke Kaupu Ernest Tavares Songs Of Old Hawaii Waikiki Evening In The Islands Splash Lyons and His Hawaiians Aloha Serenades Decca Luau Chant Prince Kawohi and the Luau Boys At The Luau RCA Victor Selamoku Pauline Kakahuna and Her Hauoli Girls 45rpm Single Waikiki Manu O`o Pauline Kakahuna and Her Hauoli Girls 45rpm Single Waikiki Ala Moana Annie Pauline Kakahuna and Her Hauoli Girls Keep Your Eyes On The Hands Waikiki Steel Guitar Boogie Benny Rogers 45rpm Single 49th State Ku`u Lei `Awapuhi / Maui Moon Benny Rogers with The Harmony Isles Group Romantic Hawaii 49th State Maui Chimes Benny Rogers with The Harmony Isles Group Souvenir Songs Of Hawaii - Volume 20 49th State Moana Chimes David Keli`i with Hawaii Calls Orchestra Aircheck (Live Broadcast) -------- Hula Oni Oni E Al Perry and The Singing Surfriders Favorite Hawaiian Chants and Hulas Decca My Little Grass Shack Akoni Lani and His Islanders Hawaiian Favorites Tops Anytime, Anywhere Chick Floyd’ Orchestra Have Fun With Lucky Mahalo Hilo Hula Honey Kalima and His Royal Hawaiian Serenaders Starlight In Hawaii Decca Holoholo Ka`a The Maile Serenaders Let’s Hula* Hula Hanohano Hanalei Danny Stewart Songs Of Old Hawaii Waikiki Ke Aloha George Kainapau with Danny Stewart’s Hawaiians Souvenirs Of Hawaii Decca Hapa Haole Hula Girl Danny Stewart and His Islanders Song Of The Islands Coral Two Shadows On The Sand Alfred Apaka with Danny Stewart’s Hawaiians The Hawaiian Wedding Song Decca Pagan Love Song Alfred Apaka with The Hawaiian Village Serenaders Sing Me A Song Of The Islands Decca Na Ali`i Benny Kalama and The Hawaiian Village Serenaders Echoes Of Hawaii Decca Na Kuahiwi `Elima Mahi Beamer 45rpm Single Decca Rhumba Medley The Hawaiian Village Serenaders Aircheck (Live Broadcast) -------- Maile Lau Li`ili` The Hawaiian Village Serenaders Aircheck (Live Broadcast) -------- Noho Paipai Danny Kua`ana Holiday In Hawaii Capitol Princess Pupule The Polynesians Hawaii Calling Crown Hame Pila Ray Andrade and His Orchestra My Own Hawaii RGA Go Around The Island The Polynesians Hawaiian Paradise Crown Stars Shining O`er Hawaii The Polynesians Lovely Hula Hawaii Crown Malihini Mele William Kealoha & His Orchestra Hawaiian Luau Roulette Little Grass Shack William Kealoha & His Orchestra Hawaiian Luau Roulette All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. Category:Radio
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Sun, 6 January 2008
The entire month of January, Ho`olohe Hou celebrates Hawaiian music in the 1950s! Sunday, January 13th - We revisit the amazing steel guitarists of the 1950s including rarities from Barney Isaacs, Jules Ah See, David Keli`i, Billy Hew Len, Pua Almeida, Jerry Byrd, Danny Stewart, Lovey Lui Conn, Benny Rogers, and Joe Custino. Sunday, January 20th - We reexamine the influence of 50's mainland jazz on Hawaiian music with such combos as the Richard Kauhi Quartet, the Kalima Brothers, Johnny Spencer and the Kona Coasters, and The Invitations. We celebrate the birthday of popular 50's vocalist Iwalani Kamahele. And we dedicate an entire hour to steel guitar wizard Billy Hew Len on the occasion of his birthday. Sunday, January 27th - We look at the year that capped off the decade: 1959. Some of the most amazing recordings in the history of Hawaiian music were recorded and released in this single fantastic year including gems from Sterling Mossman, Chick Floyd, The Surfers, Ed Kenney, Pua Almeida, Alfred Apaka, Eddie Kamae, and The Invitations. Don't miss a minute of our celebration of the fabulous fifties all month long on Ho`olohe Hou. Only at 50th State Radio. Category:Announcements
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Sun, 6 January 2008
Can you believe it’s been a year already? This program began as a modest podcast on January 6, 2007. But with the help of 50th State Radio, the number of listeners has grown from single digits to thousands around the globe! We begin the new year by remembering the humble beginnings of the program and the “charter? - the reason why we’re even doing this at all. Then we’ll spend the remainder of the program exploring Hawaiian music in the 1950s - including a look at falsetto singing in that decade, the great male vocalists of that era, and some comic hulas from the great ladies of song of this period. We celebrate the birthday - what would have been the 100th birthday - of a Hawaiian boy who made his mark as a steel guitarist in the Big Apple - Hal Aloma. In our “Why In The World Is This Out Of Print?? segment, we revisit 78rpm classics from Andy Cummings featuring Hawai`i’s Songbird, Lena Machado. (Listen for some of the earliest slack key guitar on record by none other than Gabby Pahinui!) And in “Then and Again,? we take a look at two versions of the seldom heard Lani McIntire composition “Kalihi“ - one by the composer from the 1940s and another by The Brothers Cazimero from the 1980s. Thanks for making it a memorable year! Here’s looking forward to many, many more. This is Ho`olohe Hou! Keep listening… Bill Wynne
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. Category:Radio
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Sun, 23 December 2007
This week, two hours of uninterrupted holiday music done Hawaiian style. These songs and the artists that performed them are just a few of my many favorites. I hope I picked a few your favorites, too! I hope these songs bring you wonderful memories that warm the heart and make this season just that much more special. Thanks for making this program a small part of your holidays. Wishing you and your loved ones the happiest of holidays and peace, love, and joy in this season and thoughout the new year. Thanks for listening! Bill Wynne
Category:Radio
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Sun, 16 December 2007
This week, we begin to celebrate the season with holiday classics - both old and new - from Hawai`i. Along the way we’ll take away the instruments and look at a capella gems from Nina Keali`iwahamana and Danny Kaleikini. I’ll share some sacred songs done in the traditional Hawaiian falsetto by Sam Keli`iho`omalu, Ata Damasco, and Na Palapalai. And it wouldn’t be Ho`olohe Hou if we didn’t blow the dust off of some rarities, so I will share some special holiday memories from Lucky Luck, Alfred Apaka, and a favorite of listeners of this program, Aunty Genoa Keawe. Plus more songs of snow, sleigh bells, children, family, presents, Santa Claus, and the real reason for the season - the birth of a Savior. I hope you enjoy these songs I’ve picked to share with you this week. Season’s Greetings from Ho`olohe Hou! Thanks for making us a part of your Sunday. Enjoy! Bill Wynne
Category:Radio
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Sun, 9 December 2007
We cover a lot of ground this week, listeners! We spend the first hour examining the influence of the rhythms of Spain, Brazil, and the Latin Americas on Hawaiian music from the 1960s - when the Bossa Nova craze was sweeping the country - to the present. We then look at just a few of the songs that make us homesick for Hawai`i. We’ll celebrate the birthday of entertainer Nani Lee Meadows with some rare live performances by Nani with her late husband, legendary composer and entertainer Kui Lee, and their pals Don Ho, Sonny Chillingworth, and Zulu - just as it happened one evening at Don’s parents’ place, Honey’s Tavern, in Kane`ohe in the early 1960s. We will also celebrate the birthday of a falsetto legend - arguably the best of all time - Mahi`ai Beamer, with some of his earliest and most rare recordings. And, finally, we return to our “Then and Again? segment with a look at a classic composition from then pen of friends Mary Kawena Pukui and Maddy Lam in two recordings made 40 years apart by two different artists using the exact same Benny Saks arrangement.
Category:Radio
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Sun, 25 November 2007
As you might already have guessed by my lengthy conspicuous absence from the airwaves, I have been more than a little under the weather for a few weeks now - a pretty nasty bout with bronchitis. And I have coughed myself right out of a voice! My silence has been a blessing to family, friends, and co-workers, but it doesn’t do much for the avocation of a budding radio show host. But, as they say, the show must go on! So I bring you a most unorthodox show this week… My first foray into the world of radio was as a child making mix tapes in my parents’ den. I made epic mix tapes from my then still growing collection of Hawaiian music, and these tapes became a staple for long road trips with the family. (In a manner of speaking, I still make my mix tapes. But now I share them with you every week and call them Ho`olohe Hou. ) This week’s program is one of those mix tapes I made circa. 1989 (or nearly 20 years ago). So there is no new music here - mostly classics from some of the legends of Hawaiian music plus a few from seldom-heard artists. I remastered this right from the original cassette tape. I hope it satisfies all of our cravings for some much needed Hawaiian music to make our day of rest even more restful and see us through the week ahead. I hope to be back with you in person - or as much as we can be “in person? via the Internet - next week. Until then… Enjoy! Bill Wynne
Category:Radio
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Sun, 4 November 2007
What do you say about a living legend on the occasion of her 89th birthday? You don’t. With a career spanning more than 60 years and hundreds of recordings covering 50 of those years, you simply let her music speak for itself. It’s Aunty Genoa Keawe’s birthday! Mahalo for helping me celebrate in style. It is my sincere hope that you enjoy this program as much as I enjoyed putting it together for you. Me ke aloha a me ka ha`aha`a, Bill Wynne
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD **Recent release available on CD ***Remastered and re-released on a compilation CD | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Fri, 2 November 2007
This week on Ho`olohe Hou we feature 50 years of recordings by the godmother of all Hawaiian music, Aunty Genoa Keawe, as we celebrate this Halloween baby's 89th birthday. Tune in this Sunday at 50th State Radio for two hours of reminiscing with the music of everybody's favorite aunty - from her very first recording in 1946 to her most recent in 1996 and including even more recent guest appearances with the young lions of Hawaiian music like Zanuck Lindsey, Raiatea Helm, and Pali. 1-3pm HST 3-5pm PST 6-8pm EST Category:Radio
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Sun, 28 October 2007
This week’s program begins by continuing our look at traditional Hawaiian music today that I began last week after my return from Hawai`i. Having spent seventeen days on O`ahu in September, I am eager to share with you the beautiful Hawaiian music I heard - and I heard plenty! I open this week’s program by sharing my typical Wednesday and Thursday evening in Honolulu with you. Wednesdays begin at the Outrigger Waikiki Hotel with Chris Kamaka and Baba Alimoot (known together as Hema Pa`a), then down Ala Moana Boulevard to Aloha Tower Marketplace where The Brothers Cazimero perform in the relaxed but elegant atmosphere of Chai’s Island Bistro, then back to Waikiki for a late evening with Weldon Kekauoha at Tiki’s Grill and Bar at the ResortQuest Waikiki Hotel. The remainder of the program focuses on someone who was arguably the islands’ greatest female composer of all time: Hawai`i's Songbird, Lena Machado. I don’t know what else to say about Auntie Lena except the she had a “way with words? - unlike any other. This program takes a look at the two facets of her career as vocalist and composer. This set opens with several numbers from out-of-print Columbia 78 rpms with Andy Cummings featuring Auntie Lena‘s beautiful voice, and then we spend an hour with the greats of Hawaiian music interpreting Auntie Lena’s many compositions. As part of our Lena Machado birthday celebration, I challenge you with another “Three-Of-A-Kind? contest. I have tried to adjust for the difficulty level of this week’s contest in two ways: I have added a fourth song to this set to give you an additional clue, and I have created a set that has not one, but two correct answers. If you think you know what these four Lena Machado recordings have in common, send me an e-mail at bill@50thstateradio.com. I encourage you to learn more about the life and music of Lena Machado. I have filled this program with lots of Auntie Lena’s music and, in so doing, I left little time to talk about the songs or the amazing woman who gave them life. But Auntie Lena’s hanai daughter, Pi`olani Motta, with the help of Kihei Silva, has written the definitive book about Lena Machado’s life and compositions. Check out Songbird of Hawai`i. We look forward to hearing your thoughts, comments, suggestions, and requests. Send me an e-mail at the e-mail address above. Enjoy the show!
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD **Recent release available on CD | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mon, 1 October 2007
Category:Radio
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Mon, 24 September 2007
Category:Radio
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Mon, 17 September 2007
Category:Radio
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Sun, 9 September 2007
This week on Ho`olohe Hou, we celebrate the birthday of one of the most important figures in the history of Hawaiian music: Alvin Kaleolani Isaacs. “Papa? Isaacs’ contributions to Hawaiian music are incalculable - including the formation of one of the seminal Hawaiian music ensembles (the Royal Hawaiian Serenaders featuring the falsetto voices of Benny Kalama and George Kainapau and the unique steel guitar stylings of Tommy Castro), composing more than 300 songs in both English and Hawaiian (think “Nalani,? “Analani E,? and the comic “No Huhu?), and bringing into the world three more musical Isaacs (steel guitar great Barney Isaacs, slack key legend Atta Isaacs, and singer, bassist, and funnyman Norman Isaacs). My goal was to cram as much of “Papa? Isaacs music into a two-hour program as possible. In so doing, I made the mistake of saying very little about the man. So, some things you should know: Alvin Kaleolani Isaacs taught himself to play most string and wind instruments by the age of ten. He formed an orchestra by the age of 13 - doubling on piano and mandolin - and composed the first of his more than 300 songs a year later. (The first - “Kau`ionalani? - has been recorded countless times - most recently by Amy Hanaiali`i Gilliom, a selection featured on this week’s program.) During this period, this husky lad also excelled in sports. As a freshman at McKinley High he became the first freshman in Hawai`i’s history to make the All-Star Scholastics football squad, and he did equally well in track, baseball, and swimming. Alvin married his high school sweetheart, Julita Chung, in 1924. To support the large family they planned (they eventually raised ten children), Alvin joined the Honolulu Police Department as a motorcycle patrolman. But after a debilitating motorcycle accident on the HPD job which left him hospitalized for a year, he turned his full attention to music for income - and the Hawaiian music world hasn’t been the same since. After the tragic accident, Alvin organized a group, the K.M.M. Syncopators, in 1929. He formed several other groups after, including the original Royal Hawaiians (which often featured the great Ray Kinney) and The Islanders which enjoyed a long run at the Royal Hawaiian Hotel. In 1935, he joined a band led by Harry Owens’ (who took over at the Royal), and Alvin was this group’s featured singer and comic hula dancer until 1940. Alvin reorganized The Islanders in 1940 and they played at the Young Hotel Roof Garden until the attack on Pearl Harbor. At the same time as his run at the Young Hotel, Alvin led another band - Alvin Kaleolani and The Royal Polynesians - who were the house band for the nationwide NBC program “The Voice Of Hawai`i.? After the attack of December 7th, Alvin joined the U.S. Engineers and served as lieutenant of the guard at Punahou and took his troup of entertainers on the U.S.O. circuit. In 1947, he assembled the aforementioned Royal Hawaiian Serenaders - an aggregation featuring Honolulu’s finest musicians of that era. Benny Kalama had a beautiful voice, a way with an `ukulele, and a knack for arranging. George Kainapau was Hawai`i’s premier falsetto singer. And Tommy Castro was a well-regarded and oft-copied steel guitarist. Along with Isaacs’ compositions, the Royal Hawaiian Serenaders were an unbeatable combination who made musical history at the Royal Hawaiian Hotel from 1947 until 1951. They made numerous recordings for the then fledgling Bell Records label (under their own name and as accompanists for other singers) and they embarked on four mainland tours which broke attendance records at the leading west coast hotels. It was this mainland exposure which helped introduce Alvin to Bing Crosby (who featured Alvin on his radio programs) and which led to work on Hollywood soundstages with Harry Owens. A guiding principle that helped shape Alvin’s philosophy on life was his faith. He was a lifelong member of the Mormon Church, and it was not uncommon for the Isaacs clan to spend evenings in family prayer. Alvin was very active in his church, and it was while producing a talent show at his church that he conceived of the comedy classic “No Huhu.? They were rehearsing a one-act skit featuring a Chinese-dialect comedian, and Alvin dreamed up the idea for the song and had it finished it only two hours. “No Huhu? remains a staple of the Hawaiian comedy repertoire. You may hear steel guiatarist Alan Akaka perform this with aplomb on Thursday evenings when performing with Genoa Keawe and Her Hawaiians, or you may catch Ocean Kaowili regaling audiences at Honey’s at Ko`olau with this number on Sunday afternoons. (In an earlier time, two steel guitarists were known for their way with this song - Jules Ah See and Alvin’s son, Barney Isaacs. You will hear Barney’s version on this program, and you will hear Jules Ah See’s version when this program celebrates his birthday next June.) The world lost Alvin Kaleolani Isaacs in 1984, but his memory lives on through his many compositions. This program will take a look at the new generation of Hawaiian music artists’ take on Isaacs’ classic compositions. This week’s program opens with music from a 1984 recording by Alvin Isaacs’ longtime friend and partner, Benny Kalama - a recording on which Benny recreated the classic sound of the Royal Hawaiian Serenaders (and an album which, in my personal opinion, was robbed of a well-deserved Na Hoku Hanohano award). We then spend some time listening to the 1940s recordings of the Royal Hawaiian Serenaders on Bell Records on which Benny and Alvin performed together. Listen and discover the timeless sound Alvin and friends created that is still recognized as epitomical “Hawaiian music? - a sound you can still hear today at sunset each evening at the Halekulani Hotel in Waikiki. The remainder of the program focuses on Isaacs’ numerous compositions performed by some of Hawai`i’s most well-loved artists - including some long forgotten names and voices. I expect that these selections will bring back great memories for some of you and for others the realization that some of your favorite Hawaiian standards are, in fact, Alvin K. Isaacs compositions. During this set, you will hear some selections from an extremely rare LP entitled “A Lei Of Songs From Sam? by Sam Kahalewai. I included as many songs from this recording as I could fit since it was extremely rare to get the Isaacs `ohana into the recording studio together, but “A Lei Of Songs From Sam? features Barney Isaacs on steel guitar, Norman Isaacs on bass, Alvin Isaacs on `ukulele, and - a surprise! - Gabby Pahinui on guitar, and more than half of this beautiful record features the compositions of Alvin Isaacs. (If only slack key guitarist Atta Isaacs had been present at these sessions...) And speaking of Barney, this week in our “Why In The World Is This Out Of Print?? segment, we revisit an out-of-print treasure from just a few years ago - “E Mau - Take One? - with a band led by Barney Isaacs and which - like Benny Kalama’s “He Is Hawaiian Music? just a few years before - recreated the classic Royal Hawaiian Serenaders sound. Barney enlisted the help of Benny Kalama for this recording, as well as Aaron Mahi on bass and singer, guitarist, and vintage Hawaiian music acolyte Scott Furushima. This week’s “Three-Of-A-Kind? contest is very special. After listening to so much Alvin Isaacs music, listen closely to these three selections and the answer should be apparent to you! If not, listen closely anyway because they are three beautiful recordings which represent rare moments in Hawaiian music history. (That is a hint!) And we close the program with proof of the timelessness of Alvin Isaacs’ compositions as we feature a handful of recording by today’s Hawaiian music artists performing Isaacs’ classic songs. To listen to the show, click on the link to 50th State Radio or on the radio logo in the navigation pane. We look forward to hearing your thoughts, comments, suggestions, and requests. Send an e-mail to bill@50thstateradio.com .
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. **Selections from the same recording session by the same artist remastered and rereleased on CD but which does not include the out-of-print selection featured on this program. ***Recent release available on CD. ****This selection remastered and rereleased on a compilation CD. Category:Radio
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Sun, 2 September 2007
This week’s program opens with music from the 1970s before taking a further leap backward to the 1950s and 60s with some long out-of-print treasures. (My goal each week is to play at least one recording you have likely not heard before - even if you are an aficianado and collector of Hawaiian recordings. But I am guessing there will be more than one you have never heard before in this first half hour set!) We then proceed to celebrate the birthdays of three Hawaiian music giants: the Sons of Hawaii bassist and arranger Joe Marshall; singer, guitarist, composer, and arranger Sonny Kamahele; and slack key master Ledward Kaapana. We mourn the passing of the multitalented Walter Mo`okini. And in this week’s “Why In The World Is This Out Of Print?? we take another listen to a party favorite of long, long ago from Tony Lindsey and Friends. Oh, and of course, there is another “Three-Of-A-Kind? contest this time around! But I’m not sure why since none of our listeners have even attempted the last two! If my hunch is correct that I have simply been making these much too difficult, I made this week‘s contest considerably easier. Give it a try… To listen to the show, click on the link to 50th State Radio or on the radio logo in the navigation pane. Enjoy the show! We look forward to hearing your thoughts, comments, suggestions, and requests. Send an e-mail to bill@50thstateradio.com.
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. **Selections from the same recording session by the same artist remastered and rereleased on CD but which does not include the out-of-print selection featured on this program. ***Recent release available on CD. Category:Radio
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Sun, 26 August 2007
This week’s program opens with music perfect for a Sunday morning - vintage recordings from the 1950s and 60s. Last week we took a look at Hawaiian music across three decades - the 50s, 60s, and 70s. This week we take another look forward - at what we have in store in the weeks, months, and years to come on Ho`olohe Hou - by taking a look back - at classic out-of-print Hawaiian music of the 80s and 90s. In “Why In The World Is This Out Of Print?? we take a quick look at three Na Hoku Hanohano Award-winning albums from not so long ago by Kapono Beamer, Frank Kawaikapuokalani Hewett, and The Peter Moon Band. In a new segment - "Unlikely Heroes In Hawaiian Music" - we examine the life and work of steel guitar master Jerry Byrd. And then a look at another master as we revisit the unique slack key guitar stylings of Atta Isaacs. We challenge you with another “Three-Of-A-Kind? contest - this time one especially for slack key guitarists and other fans of slack key. And we celebrate the birthday of chanter, composer, author, lecturer, and consultant on all things Hawaiian, Kaupena Wong. To listen to the show, click on the link to 50th State Radio or on the radio logo in the navigation pane. Enjoy the show! We look forward to hearing your thoughts, comments, suggestions, and requests. Send an e-mail to bill@50thstateradio.com.
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. **Selections from the same recording session by the same artist remastered and rereleased on CD but which does not include the out-of-print selection featured on this program. ***Recent release available on CD. Category:Radio
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Sun, 19 August 2007
Welcome back to Ho`olohe Hou! We’re pleased and honored that you joined us for this program’s new beginning at 50th State Radio. Because 50th State Radio has revived this program, now we can continue to revive the Hawaiian music of a bygone era. Mahalo nui loa to my new `ohana at 50th State Radio. Here’s looking forward to many happy years together… This week’s program opens with music from four living legends. And then for those who have never heard the program before, we get a feel for what Ho`olohe Hou is all about - and the many treasures in store in the coming weeks, months, and years from this program - by reliving the halcyon days of Hawaiian music with some out-of-print classics from the 1950s, 60s, and 70s. (Slack key guitarists will revel in the earliest recording of one of their heroes, Sonny Chillingworth.) We challenge you with the first of many “Three-Of-A-Kind? contests. We reintroduce a segment - “Why In The World Is This Out Of Print?? - by revisiting an out-of-print treasure from not so long ago from the Brothers Cazimero. We celebrate the birthdays of singer/pianist George Paoa, singer/composer Ihilani Miller, composer and slack key guitarist Alice Namakelua. And we remember a different side of the late, great Don Ho. To listen to the show, click on the link to 50th State Radio above or on the radio logo in the navigation pane. Enjoy the show! We look forward to hearing your thoughts, comments, suggestions, and requests. Send an e-mail to bill@50thstateradio.com.
All selections out-of-print unless indicated. (Click on the link to a title to locate a possible distribution source.) *Remastered and rereleased on CD. **Selections from the same recording session by the same artist remastered and rereleased on CD but which does not include the out-of-print selection featured on this program. Category:Radio
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Sat, 4 August 2007
Ho`olohe Hou, the program featuring classic Hawaiian music from my vast archive of rare and out-of-print Hawaiian music, has found a new home - 50th State Radio! The expanded 2-hour format will air every Sunday at 9:30am Pacific Time beginning August 19th. BUT don't wait to tune into 50th State Radio! The fun has already started over there with Uncle "It's Aloha Friday" Paul Natto and Haole Jack and a gang of others. 50th State Radio is streaming 24 hours a day, 7 days a week, and like good old-fashioned radio, it's free. Just click on the 50th State Radio logo to start enjoying. Many thanks to my new `ohana at 50th State Radio for perpetuating Hawaiian music, culture, and memories and for recognizing the humble contribution of Ho`olohe Hou to that effort. To the listeners, thank you for your patience, understanding, and support while Ho`olohe Hou struggled to find its legs - and its wings! There is good fun, good memories, and good music waiting for you all on August 19th... Me ka ha`aha`a, Bill Wynne Category:Announcements
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Wed, 18 July 2007
The folks over at taropatch.net were having fun reminiscing about Auntie Bina Mossman's ode to California, "Kaleponi Hula." But, regrettably, there are no versions of the song still in print on CD for us to enjoy. So I threw together a short montage of four very old out-of print versions of the song - by Uncle Johnny Almeida, Charles Kaipo Miller, Alice Fredlund with the Halekulani Girls, and (saving my favorite for last) Sonny Chillingworth (with Nina Keali`iwahamana on backing vocals). Enjoy! Direct download: Kaleponi_Hula_-_Four_Versions.MP3 Category:Mele: About The Songs -- posted at: 1:57 AM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mon, 16 July 2007
The folks over at taropatch.net had been talking about this song and the fact that numerous Hawaiian songs utilize different melodies and chord structures but the same lyrics. ("Hi`ilawe" and "Kaimana Hila" come to mind among the many songs that have at least two different melodies.) It can be very confusing! I was able to identify recordings of "Na Moku `Eha" employing as many as three different melodies and chord structures. So I very quickly threw together a montage of different versions of "Na Moku `Eha" so that all three different versions could be heard side-by-side. The first version is performed by Kalama's Quartet, Alfred Apaka, Pat Ka`anoi, and the Sunday Manoa. The second version is performed by Braddah Smitty, the Peter Moon Band, and George Helm. And the third version is performed by Benny Kalama. I hope this helps... Enjoy! Direct download: Na_Moku_Eha_-_Eight_Versions.MP3 Category:Mele: About The Songs -- posted at: 1:16 AM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||






